The Scottish Prisoner: A Lord John Novel

London, 1760. For Jamie Fraser, paroled prisoner-of-war in the remote Lake District, life could be worse: He’s not cutting sugar cane in the West Indies, and he’s close enough to the son he cannot claim as his own. But Jamie Fraser’s quiet existence is coming apart at the seams, interrupted first by dreams of his lost wife, then by the appearance of Tobias Quinn, an erstwhile comrade from the Rising.
 
Like many of the Jacobites who aren’t dead or in prison, Quinn still lives and breathes for the Cause. His latest plan involves an ancient relic that will rally the Irish. Jamie is having none of it—he’s sworn off politics, fighting, and war. Until Lord John Grey shows up with a summons that will take him away from everything he loves—again.
 
Lord John Grey—aristocrat, soldier, and occasional spy—finds himself in possession of a packet of explosive documents that exposes a damning case of corruption against a British officer. But they also hint at a more insidious danger. Time is of the essence as the investigation leads to Ireland, with a baffling message left in “Erse,” the tongue favored by Scottish Highlanders. Lord John, who oversaw Jacobite prisoners when he was governor of Ardsmiur prison, thinks Jamie may be able to translate—but will he agree to do it?
 
Soon Lord John and Jamie are unwilling companions on the road to Ireland, a country whose dark castles hold dreadful secrets, and whose bogs hide the bones of the dead. A captivating return to the world Diana Gabaldon created in her Outlander and Lord John series, The Scottish Prisoner is another masterpiece of epic history, wicked deceit, and scores that can only be settled in blood.

About The Author:

To millions of fans, Diana Gabaldon is the creator of a complex, original, and utterly compelling amalgam of 18th-century romantic adventure and 20th-century science fiction. To the publishing industry, she's a grassroots-marketing phenomenon. And to would-be writers everywhere who worry that they don't have the time or expertise to do what they love, Gabaldon is nothing short of an inspiration.

Gabaldon wrote her first novel while juggling the demands of motherhood and career: in between her job as an ecology professor, she also had a part-time gig writing freelance software reviews. Gabaldon had never written fiction before, and didn't intend to publish this first novel, which she decided to call Outlander. This, she decided, would be her "practice novel". Worried that she might not be able to pull a plot and characters out of thin air, she settled on a historical novel because "it's easier to look things up than to make them up entirely."

The impulse to set her novel in 18th-century Scotland didn't stem -- as some fans have assumed from a desire to explore her own familial roots (in fact, Gabaldon isn't even Scottish). Rather, it came from watching an episode of the British sci-fi series Dr. Who and becoming smitten with a handsome time traveler in a kilt. A time-travel element crept into Gabaldon's own book only after she realized her wisecracking female lead couldn't have come from anywhere but the 20th century. The resulting love affair between an intelligent, mature, sexually experienced woman and a charismatic, brave, virginal young man turned the conventions of historical romance upside-down.

Gabaldon has said her books were hard to market at first because they were impossible to categorize neatly. Were they historical romances? Sci-fi adventure stories? Literary fiction? Whatever their genre (Gabaldon eventually proffered the term "historical fantasias"), they eventually found their audience, and it turned out to be a staggeringly huge one.

Even before the publication of Outlander, Gabaldon had an online community of friends who'd read excerpts and were waiting eagerly for more. (In fact, her cohorts at the CompuServe Literary Forum helped hook her up with an agent.) Once the book was released, word kept spreading, both on the Internet and off, and Gabaldon kept writing sequels. (When her fourth book, "Drums of Autumn," was released, it debuted at No. 1 on the Wall Street Journal bestseller list, and her publisher, Delacorte, raced to add more copies to their initial print run of 155,000.)

With her books consistently topping the bestseller lists, it's apparent that Gabaldon's appeal lies partly in her ability to bulldoze the formulaic conventions of popular fiction. Salon writer Gavin McNett noted approvingly, "She simply doesn't pay attention to genre or precedent, and doesn't seem to care that identifying with Claire puts women in the role of the mysterious stranger, with Jamie -- no wimp in any regard -- as the romantic 'heroine."'

In between Outlander novels, Gabaldon also writes historical mysteries featuring Lord John Grey, a popular, if minor, character from the series, and is working on a contemporary mystery series. Meanwhile, the author's formidable fan base keeps growing, as evidenced by the expanding list of Gabaldon chat rooms, mailing lists, fan clubs and web sites -- some of them complete with fetching photos of red-haired lads in kilts.

Good To Know

Outlander may have been Gabaldon's first novel, but she was already a published writer. Her credits included scholarly articles, political speeches, radio ads, computer manuals and Walt Disney comic books.

Gabaldon gets 30 to 40 e-mails a day from her fans, who often meet online to discuss her work. "I got one letter from a woman who had been studying my book jacket photos (with a magnifying glass, evidently), who demanded to know why there was a hole in my pants," wrote Gabaldon on her web site. "This strikes me as a highly metaphysical question, which I am not equipped to answer, but which will doubtless entertain some chat-groups for quite a long time."