There But For The: A Novel

At a dinner party in the posh London suburb of Greenwich, Miles Garth suddenly leaves the table midway through the meal, locks himself in an upstairs room, and refuses to leave. An eclectic group of neighbors and friends slowly gathers around the house, and the story of Miles is one told from the points of view of four of them: a woman in her forties called Anna, a man in his sixties called Mark, a woman in her eighties called May, and a ten-year-old child called Brooke. The thing is . . . none of these people knows Miles anything more than glancingly. So how much is it possible to know about a stranger? And what are the consequences of even the most casual, most fleeting meetings we have every day with other human beings?

Brilliantly audacious, disarmingly playful, full of Smith’s trademark wit and puns, There But For The is a deft exploration of the human need for separation—from our pasts and from one another—and the redemptive possibilities for connections.

Editorial Reviews

This startling lark from Smith (The Accidental) is so much more than the sum of its parts. Both breezy and devastating, the novel radiates from a whimsical center: Miles Garth, a dinner party guest, decides to leave the world behind and lock himself in his hostess's spare room, refusing to come out and communicating only by note. Four charmers with only tenuous links to Miles, nicknamed Milo by the growing crowd camped outside the suburban Greenwich, London house, narrate the proceedings: Anna, a girl who knew Miles briefly in the past; Mark, a melancholy gay man who Miles met watching Shakespeare at the Old Vic; May Young, an elderly woman who Miles helped grieve her daughter's death; and the wonderful, "preternaturally articulate" Brooke, arguably the cleverest 10-year-old in contemporary literature. Together they create a portrait not so much of Miles—because none of them really knows him—but of the zeitgeist of their society. In a lovely departure, and in spite of the fact that there is not one ordinary, carefree character in this whole tale, all parents are literate, loving, and tolerant: though Mark is exhausted and sad, his famous mum speaks to him, in verse no less, from beyond the grave; though May is trapped by dementia, she was a kind mother to her ill-fated daughter; and though Brooke is clearly plagued by attention deficit disorder and is misunderstood and disliked at school, her parents love her dearly. This fine, unusual novel is sweet and melancholy, indulgent of language and of the fragile oddballs who so relish in it. (Sept.)

About The Author:

About The Author:

ALI SMITH is the author of eight previous works of fiction, including the novel Hotel World, which was short-listed for both the Orange Prize and the Booker Prize and won the Encore Award and the Scottish Arts Council Book of the Year Award, and The Accidental, which won the Whitbread Award and was short-listed for the Man Booker Prize and the Orange Broadband Prize for Fiction. Her story collections include Free Love, which won a Saltire Society First Book of the Year Award and a Scottish Arts Council Award, and The Whole Story and Other Stories. Born in Inverness, Scotland, Smith lives in Cambridge, England.