A Breath Of Snow And Ashes (Outlander Series #6)

Eagerly anticipated by her legions of fans, this sixth novel in Diana Gabaldon s bestselling Outlander saga is a masterpiece of historical fiction from one of the most popular authors of our time.

Since the initial publication of Outlander fifteen years ago, Diana Gabaldon s New York Times–bestselling saga has won the hearts of readers the world over -- and sold more than twelve million books. Now, A Breath of Snow and Ashes continues the extraordinary story of 18th-century Scotsman Jamie Fraser and his 20th-century wife, Claire.

The year is 1772, and on the eve of the American Revolution, the long fuse of rebellion has already been lit. Men lie dead in the streets of Boston, and in the backwoods of North Carolina, isolated cabins burn in the forest.

With chaos brewing, the governor calls upon Jamie Fraser to unite the backcountry and safeguard the colony for King and Crown. But from his wife Jamie knows that three years hence the shot heard round the world will be fired, and the result will be independence -- with those loyal to the King either dead or in exile. And there is also the matter of a tiny clipping from The Wilmington Gazette, dated 1776, which reports Jamie s death, along with his kin. For once, he hopes, his time-traveling family may be wrong about the future.

Editorial Reviews

Anyone who has gotten this far in Gabaldon's popular "Outlander" saga knows to expect loads of steamy sex, kidnappings, medical miracles, and gritty period details. Breath's 900-plus pages don't disappoint. With the threat of the American Revolution looming, 20th-century time traveler Claire Fraser and her 18th-century Scottish husband, Jamie, must finally choose sides and prepare for war. On the domestic front, Claire's and Jamie's daughter, Brianna, experiments with piping running water to their cabin while her husband, Roger, contemplates ordainment as a minister. But what about that newspaper clipping that says Claire and Jamie die in a house fire? Knowledge of the future clearly goes only so far. Enemies both old and new add to the continuing drama of the Fraser family's survival in the hinterlands of North Carolina. Gabaldon's enjoyable formula works, even if it's taken five previous novels and a few thousand pages to get to the year 1776. Essential for every fiction collection. [See Prepub Alert, LJ 6/1/05.]-Laurel Bliss, Princeton Univ. Lib., NJ Copyright 2005 Reed Business Information.

About The Author:

To millions of fans, Diana Gabaldon is the creator of a complex, original, and utterly compelling amalgam of 18th-century romantic adventure and 20th-century science fiction. To the publishing industry, she's a grassroots-marketing phenomenon. And to would-be writers everywhere who worry that they don't have the time or expertise to do what they love, Gabaldon is nothing short of an inspiration.

Gabaldon wrote her first novel while juggling the demands of motherhood and career: in between her job as an ecology professor, she also had a part-time gig writing freelance software reviews. Gabaldon had never written fiction before, and didn't intend to publish this first novel, which she decided to call Outlander. This, she decided, would be her "practice novel". Worried that she might not be able to pull a plot and characters out of thin air, she settled on a historical novel because "it's easier to look things up than to make them up entirely."

The impulse to set her novel in 18th-century Scotland didn't stem -- as some fans have assumed from a desire to explore her own familial roots (in fact, Gabaldon isn't even Scottish). Rather, it came from watching an episode of the British sci-fi series Dr. Who and becoming smitten with a handsome time traveler in a kilt. A time-travel element crept into Gabaldon's own book only after she realized her wisecracking female lead couldn't have come from anywhere but the 20th century. The resulting love affair between an intelligent, mature, sexually experienced woman and a charismatic, brave, virginal young man turned the conventions of historical romance upside-down.

Gabaldon has said her books were hard to market at first because they were impossible to categorize neatly. Were they historical romances? Sci-fi adventure stories? Literary fiction? Whatever their genre (Gabaldon eventually proffered the term "historical fantasias"), they eventually found their audience, and it turned out to be a staggeringly huge one.

Even before the publication of Outlander, Gabaldon had an online community of friends who'd read excerpts and were waiting eagerly for more. (In fact, her cohorts at the CompuServe Literary Forum helped hook her up with an agent.) Once the book was released, word kept spreading, both on the Internet and off, and Gabaldon kept writing sequels. (When her fourth book, "Drums of Autumn," was released, it debuted at No. 1 on the Wall Street Journal bestseller list, and her publisher, Delacorte, raced to add more copies to their initial print run of 155,000.)

With her books consistently topping the bestseller lists, it's apparent that Gabaldon's appeal lies partly in her ability to bulldoze the formulaic conventions of popular fiction. Salon writer Gavin McNett noted approvingly, "She simply doesn't pay attention to genre or precedent, and doesn't seem to care that identifying with Claire puts women in the role of the mysterious stranger, with Jamie -- no wimp in any regard -- as the romantic 'heroine."'

In between Outlander novels, Gabaldon also writes historical mysteries featuring Lord John Grey, a popular, if minor, character from the series, and is working on a contemporary mystery series. Meanwhile, the author's formidable fan base keeps growing, as evidenced by the expanding list of Gabaldon chat rooms, mailing lists, fan clubs and web sites -- some of them complete with fetching photos of red-haired lads in kilts.

Good To Know

Outlander may have been Gabaldon's first novel, but she was already a published writer. Her credits included scholarly articles, political speeches, radio ads, computer manuals and Walt Disney comic books.

Gabaldon gets 30 to 40 e-mails a day from her fans, who often meet online to discuss her work. "I got one letter from a woman who had been studying my book jacket photos (with a magnifying glass, evidently), who demanded to know why there was a hole in my pants," wrote Gabaldon on her web site. "This strikes me as a highly metaphysical question, which I am not equipped to answer, but which will doubtless entertain some chat-groups for quite a long time."